Momentary Blindness II - Roma

The saturated wood beneath seeps through and dampens my pants while muggy air coats my exposed skin leaving goosebumps in its trail. Water heightens the aroma of fresh plants, wood, and life. Every inhale is treated with a hint of citrus that leaks from blossoms of orange and escalates with each gust of wind. Quiet and serene as if you have escaped the urban world, hearing nothing but nature’s gifts. Birds of all kinds gather around the park conversing and singing their unique songs. A mass abundance of shade is provided by large broccoli shaped trees that create a canopy overhead. Moments come and go where the sun is finally able to break through. It lights my page in asymmetrical shapes and stripes and caresses my skin as if stepping into a warm shower. The droplets that continue to fall off my leafy roof drip sporadically onto my skin, contradicting my warm shower fantasy. My breathing softens and is rhythmed by the plopping of water into small puddles. In time these puddles grow, and the droplets change character. I am able to detect what the water is falling on through its plummet and ultimate splattered demise. Everything near is a target; trash cans, the ground, the benches, the people, and most frustratingly, my notebook. No pattern of spillage can be detected to prevent such incidents but luckily each drop is few and far between. One hits the top left corner nearly missing my hand. Creating such an insignificant splatter, it spreads across my symbols of ink and absorbs into nothing.

(Aventine Hill, 5/27/19)

Ekphrasis I - Roma

Fabric taut within a firm grasp,

Her arm raises to the heavens

Draping the garment along her limb

A wing similar to her lover

Melting with lust

Both her and her clothes

She stares in the direction of her fist,

As if looking for something beyond

Yet more than content with the situation at hand

Thin silky cloth lays gently upon her left breast

Flowing down her body like a waterfall

Stemming from a knot sitting atop her shoulder

Continuously streaming down her legs

Modesty out the window

Comfortable in her skin

Open and amenable to exposure

Passion in the absence of human connection

Attraction through the form of a swan

Nestled between her legs, neck elongates towards her chest

She holds his body with a soft embrace   

Supporting his weight and securing his position on her lap

A slight bend in her knee lifts in opposition

Clothing builds upon it in folded layers,

One on top of the other in continuous unity

A tide is created between the act of underdressing,

And the contracting of bodies

As if caught off guard

Unintentional seduction

Her passion develops by the minute,

Provoking the seduced to tear off the garb

The swan gawks at her beauty,

Awaiting reactions and gauging emotions

She fails to notice his visually attentive behavior,

But succumbs to other senses

Atop her head, her hair remains proper

Her wavy locks secured in the back without a strand astray

Untouched by the scandal below

Holy eroticism filling the foundational pages,

A story engraved in marble and time


(Palazzo Nuovo 5/26/19, Timotheos, Statue of Leda and the Swan, 2nd c. CE)

Giornale I - Roma

After a long afternoon filled with thought-provoking spectacles and peer-led presentations, Hannah, Lauren and I decided to break away from the larger group to partake in an adventure of our own. The time was roughly 5:30 pm and we knew our time was running short as church’s close early. With this in mind, we set off immediately with the pursuit to undergo the quickest route possible to Santa Maria in Trastevere. Due to our fairly close proximity in Piazza del Campidoglio, we decided to take the journey by foot. Within around 20 minutes of casual walking, we made our way into the opening of the Piazza di Santa Maria. The quant public space had a singular fountain at its center that was raised and wrapped with stairs. It seemed to have made for the perfect resting place for locals and tourists alike. We were quick to pinpoint the basilica as it was directly across from where we entered and had large arched openings with ionic columns in between. Statues of popes were equally spaced out along the top railing with a larger golden edifice attached in the background. We entered through an archway and were welcomed by two grand walls containing signs and inscriptions taken from other churches and buildings that no longer remain but such objects preserved. Unfortunately, I am unable to translate Latin and thus can only appreciate the inscriptions for their workmanship and craft rather than linguistic content. After a quick glance of these broad scrapbook-like walls, I decide to enter through the large wooden doors. The door led you directly into the church’s right aisle, allowing all of the light to be shadowed by a large row of columns. Before getting too caught up in the detail, I decided to head to the back of the building and stand in the center so that I can equally see both sides. By taking a step back, I was able to perceive many things at once, rather than honing in on fine details (something that can be overwhelming when you first enter). I noticed that the columns lining both sides of the aisles were not consistent and displayed great diversity. It was understood that much like in S. Francesca Romana (in which we toured earlier that day), these columns were evidence of spoliation as they were taken from many buildings and monuments and repurposed for additional use. Lining the walls directly above them were patterns of alternating mosaics and windows, both in which were the same size and shape as the uniformity is more aesthetically pleasing. Beautifully detailed mosaics were also found across the whole front half of the building covered in lots of gold and much more elaborate as they served as the backdrop to the main altar. The octagonal ceiling was a breathtaking mix of gold and paint with a painting of the assumption of the Virgin at its center. After taking this moment to scan the general space, I set off to walk the perimeter. The decorations and symbols used were ornamental and esthetic following the same basic model for traditional basilicas as this is one of the oldest in Rome. This highly garnished basilica was dazzling with its abundance of gold and mosaics. The three of us separated and spent a good chunk of time simply wandering around and observing/appreciating the beautiful artwork, architecture, and holiness of the space. But alas, we mutually decided it was time to leave it behind and continue onto our next journey - finding some dinner!


(Basilica of Santa Maria in Trastevere, 5/24/19)

Voyeur I - Roma

From the moment I sat down, my view of the grand Piazza San Pietro was hindered by a larger adult man. His face was glued to his phone, oblivious to all surroundings-especially the uncomfortably close distance he maintained to me. He appeared to be alone and not apart of any tourist group, merely him and his phone. From the clean-cut and styled hair, leather jacket, tight jeans, and Puma shoes, I concluded that if not a local, he was European. I never heard him speak, but simply watched from my seat his confusion and even slight frustration with his mobile device. For the first time in what seemed like ten minutes, he came up for air and headed away from the basilica and toward the porticos. It was too sunny to see his screen and thus continued his habit under the shady marble. The man is trying to contact someone; perhaps a relative or maybe a girlfriend. Victory! He figures out how to set-up a facetime call with his girlfriend and heads back into the piazza to show her the sights. Perhaps he is on a work-related trip and enjoying his downtime in Rome by visiting the sights. Their relationship is recent and with that, it didn’t logically make sense for her to tag along. Or, as it could be a work trip, they didn’t have a lot of free-time to site see and also had work back at home. Either way, he is finally adventuring around the piazza, yet still only perceiving the visual stimuli through his darkened phone screen. The virtual tour was brief and he disappeared away into the bustling stream of people.



(Piazza San Pietro, 5/23/19)

Momentary Blindness I - Roma

I sit, nearly squatting, on a curb of a cobblestone walkway that lines the perimeter of the piazza. Comfortable in temperature, the sun hides behind layers of clouds while a soft, cool breeze puts my clothes at flight and flutters the corner of my page. Although I stay quiet and simply pause all interactions, my surroundings stay vibrant with bustling life. The Fontana dei Quattro Fiumi is settled a mere few feet behind me. The gushing of water across the monument permeates and drowns out the faint sounds of the city. The sound of the fountain and the delicate aroma of the nearby restaurants are the only elements that remain consistent in my current sustained position. Fighting the urge to visually direct my attention to every noise is one of the greatest challenges while engulfed in a stimulating atmosphere. Thousands of murmured conversations fill my ears with moments of comprehension and others with clarity, but a linguistic barricade prevents full awareness. A man standing on the corner across the street begins to wail in an attempt to lure in  Americans, but after a few minutes of trying, he accepted failure and ceased. Coming from behind, at least two men begin a conversation in Italian. Close enough in proximity to hear, yet lacking the education to eavesdrop. Moments later, one begins singing “I Love You Baby” which I easily pick up as it is in English and of course, the one and only Frank Sinatra. Now honed in on these men, my mind blurs the peripheral noise and I listen intently to the fun duet unfolding behind me. Following the terse entertainment, everything becomes clear again and I feel as though I can hear a vast range of tones from miles away. When maneuvering through the congested city, it may be hard to appreciate your neighboring environs due to constantly keeping your head on a swivel to avoid people, cars, bikes, etc. But once you take a moment to sit and truly perceive your other senses, you immerse yourself in a new realm.




(Piazza Navona, 5/21/19, 2:50pm)